展覽日期:0 8 / 1 3 ~ 0 8 / 3 0
開放時間:1 3 : 0 0 ~ 2 1 : 0 0 ( 週 三 至 週 日 )
開幕茶會:08/15 14:00
展覽地點:台 中 自 由 人 藝 術 公 寓 1 F + B 1(台中市五權594號)
展覽簡介｜
躺進棺材閉上眼睛看風景、
淋濕在故事的交集之中、
拉開一扇與陌生人相互窺視的窗、
被自己的影子凝視著、
感光出瀕臨遺忘的回憶、
聽見、聞到、觸摸、喝掉、創造影像 ……
這是一個實驗影像展，但顯影的不是相機看見的風景。
這裡沒有故事，卻可能讓你想起你的故事。
「若你在某個畫面裡遇見了友人、戀人、家人、甚至是好久不見的自己，請記得問候他們，並按下快門，將這片風景成像在心底。」
創作論述｜
人在一生中都有一次進棺材的機會，但幾乎沒有從棺材再出來的可能。倘若今日存在一個重生的機會，你想帶走什麼回憶？或喚起什麼瀕臨遺忘的風景？
是不是已經習慣被太多聲音埋葬了？這世界很快速、喧嘩，許多人都在宣揚著自己的理念，讓資訊塞滿了整座城市。於是，我想創造一個絕對安靜、零議題的空間，供人棲息片刻，找回久違的寧靜。於是，這個空間，零議題！
然而，當喧囂不再，我們將在寂靜之中看見什麼？
藝術家簡歷｜
寧森 │SEN NING
(1992～)，感官影像藝術家。
「若每件藝術創作都會說話，我希望我的作品是啞巴。寧靜地，等待觀者聽見自己。」
「他的感性存在理性內，就像色溫藏在冷灰之中。」
「繪畫、音樂、設計、電影、攝影，才華多變，但那份單純不變。」
「慢、沈靜、天外一筆，個性親近人卻又神秘。」
「充滿夢想，能夠感染別人的傻子！」
這是友人、親人、觀眾眼裡的他。
躺進棺材、閉眼看光的演奏、喝掉苦澀影子、觸摸回憶的溫度…等，邀請觀眾直接參與藝術作品，以各種非傳統攝影的方法，顯影內心的風景，終至成像。作品內蘊簡約而寂靜，在幽暗中隱隱留下一盞溫暖微光。
Introduction｜
At the exhibition, the space is a giant camera; the viewers are photons suspending in the space. From the outside in, they go through light, scene, lens, aperture, mirror, focus, shutter, image sensor and finally imaging. Among these processes, the viewers can not only see the image, but also hear, smell, touch, drink, or even create the images…
However, there is no story. All the scenery is not given by the creators but from each viewer’s own life course. Thus, at the same moment all the scenery is exposed to entirely different images on different individuals.
“If you meet your friends, lover, family, or even the long-lost yourself in a picture, please remember to greet them and press the shutter button to image this piece of scenery in your heart.”
Artist statement｜
Everyone can get into the coffin once in a lifetime but is hardly likely to come out of it. If there is a chance to revive, what kind of memories do you want to take away? Or what kind of landscapes on the verge of oblivion will be evoked?
When the hustle and bustle no longer exist, what would we see in the silence?
Artist Introduction｜
Sen Ning (1992~), photographic artist.
“If every piece of art could speak for itself, I hope mine are dumb, quietly, waiting for audiences to listen to them. ”
Lying in a coffin with eyes closed, yet still able to see light from the performance; drinking in the bitter shadows, but touching the warmth from a memory…The audience is invited to participate in his artworks. By utilizing various non-traditional methods of cinematography, he develops ones internal dreamscapes, which ultimately form imagery. Although one will find austerity and serenity within his artworks, a glimmer of warmth is concealed in its dimness.
AWARDS /
2012 STREETVOICE – Best Director Award
2012 Nathan Sawaya – Best Multimedia Design
2013 THE VERSE – Best Popularity Award
2013 CROATIAN ONE MINUTE FILM FESTIVAL- GRAND PRIX
2013 CROATIAN ONE MINUTE FILM FESTIVAL- Top 10
2013 ASUS – Best Creative Advertisement
2014 GOLDEN HARVEST AWARDS – Best Director Award
2015 TAINAN SHORT FILM FESTIVAL – GRAND PRIX
2015 Urban Nomad Film Fest – Nominated
EXPERIENCES /
2012~2014 The lecturer of “Aesthetics of photography”
2014 The judge at the “Croatian one minute film festival”
